Bloomsbury and Its Make-Up :: Bloomsbury History Literature Essays

Bloomsbury and Its Make-UpLiterature and Art were very important in the early 1900s. Someone could always turn to a book or a painting to help them be to a greater extent relaxed and feel more comfortable. One of the major groups of the early 1900s that had both aspects of literature and subterfuge was the Bloomsbury group. This group was made up of a number of people, who shared resembling interests and views. One of the more notable writers in the 1900s, Virginia Woolf was a member of the Bloomsberries. some of her novels have been heavily criticized and talked about throughout the years. Virginia Woolf as well as other members of the Bloomsbury group led very topic lives which led to radical art.The history of the Bloomsbury assort, with a special emphasis on its association in art and literature, has been well told(Dowling 11). The Bloomsbury Group, an in evening gown coterie of writers, artists and critics who settled early this ampere-second in the district of that name i n capital of the United Kingdom, has long been in endangerment of suffocating beneath a slagheap of nostalgia(Economist 102). They made Bloomsbury Square in London the center if activities from 1904 to W.W.II. This group included, Lytton Strachey, Virginia Woolf, Leonard Woolf, E.M. Forster, V. Sackville-West, Roger Fry, Clive Bell, John Maynard Keynes and Vanessa Bell. Four of the members had gone to Cambridge in 1899 and they were immediately taken by the intellectual air of the University as contrary to the sterility and boredom of other schools they had attended. Every Bloomsbury who attended Cambridge thrived there. Body and spirit, modestness and emotion, work and play, architecture and scenery, laughter and seriousness, life and art, these pairs which elsewhere contrasted were there fused into one (http//www.feminista.com). Bloomsbury was always under fire. This is the common fate of all groups, coteries and cliques, curiously if they have sufficient liveliness to make a new region to the thought of their time.Bloomsbury certainly has not been left out from the variations of aesthetic face and today its situation is similar to the Pre-Raphaelites forty years ago. Bloomsbury however was foreign the Pre-Raphaelites in that it had been criticized from a bewilderingly large number of points of view (Bell 10). The Bloomsbury Group has been praised as a hothouse for writing talent. The founders main concern was to claim that magic quality they had discovered at Cambridge. There was no formal membership list or leader or set of rules to follow.