Fear and Loathing in the Creative Process :: essays papers

attention and Loathing in the Creative ProcessA student at Illinois Wesleyan University recently confessed to fliping a morbid fear of park cars. He said, Im terribly shocked one of them go forth roll right over me (Hamel). The actual betting odds of a position car suddenly rolling over him ar extremely abbreviate how invariably, that does non alleviate his fears. It takes this poor boy a great cadence of personal will power just to straits across a street where there are parked cars.As senseless as a fear of parked cars may be, volume constantly capture their lives to be manipulated through fears. Political figures fret for days, sometimes weeks, over the phraseology of a tiny passage from their acceptance diction poets spend decades of their lives await for that one word to give an infinite come of meaning to a poem no one will ever read and authors hold back some of their most inventive creations overdue to fear of worldly concern response. The key is tha t people must be impulsive to set diversion public opinion and write of the things in their hearts. Into the liquidate LandIn 1922, T. S. Eliot makeed a poem that sent critics into a fury. Attacking everything from construction to meaning, the public response was a far forebode from good. However, this poem went on to become regarded as the most influential incline poem of the twentieth century. The poem was entitled The Waste Land.Eliot was non without reservation in constitution his poem, however. When first written, he was so displease with the result that he scrapped the bulk of the poem. It wasnt until some(prenominal) years later, not to mention several drafts later, that he was content enough to publish (Eliot, 35).How would mod poetry be different had Eliot not released The Waste Land? What would poets now be writing if Eliot had let his fears of public rejection persuade him not publish? It is not as if Eliot couldnt have known how his poem would be rece ived. A mutation upon a theme is accepted total write of the theme is not. Eliot did what some writers are ever able to, namely, publishing a piece that was radically different from anything the world had ever foreseen. Despite initial criticism, people shortly saw the work as more than a failure they began to see it as the beginning of a new poetic era.Fear and Loathing in the Creative Process essays papers Fear and Loathing in the Creative ProcessA student at Illinois Wesleyan University recently confessed to holding a morbid fear of parked cars. He said, Im terribly afraid one of them will roll right over me (Hamel). The actual odds of a parked car suddenly rolling over him are extremely slim however, that does not alleviate his fears. It takes this poor boy a great amount of personal will power just to walk across a street where there are parked cars.As senseless as a fear of parked cars may be, people constantly allow their lives to be manipulated through fears. Political figures fret for days, sometimes weeks, over the wording of a tiny passage from their acceptance speech poets spend decades of their lives search for that one word to give an infinite amount of meaning to a poem no one will ever read and authors hold back some of their most inventive creations due to fear of public response. The key is that people must be willing to set aside public opinion and write of the things in their hearts. Into the Waste LandIn 1922, T. S. Eliot published a poem that sent critics into a fury. Attacking everything from structure to meaning, the public response was a far cry from good. However, this poem went on to become regarded as the most influential English poem of the twentieth century. The poem was entitled The Waste Land.Eliot was not without reservation in writing his poem, however. When first written, he was so displeased with the result that he scrapped the bulk of the poem. It wasnt until several years later, not to mention severa l drafts later, that he was content enough to publish (Eliot, 35).How would modern poetry be different had Eliot not released The Waste Land? What would poets today be writing if Eliot had let his fears of public rejection persuade him not publish? It is not as if Eliot couldnt have known how his poem would be received. A variation upon a theme is accepted total rewriting of the theme is not. Eliot did what few writers are ever able to, namely, publishing a piece that was radically different from anything the world had ever seen. Despite initial criticism, people soon saw the work as more than a failure they began to see it as the beginning of a new poetic era.